History, History Column

The Art of a Nation

by ©2021 Sarah Becker The Art of a Nation “The art of a nation is one of its most refining influences, and is the highest expression of its civilization and culture,” The New York Times wrote in 1918.  “Artistic endeavor must be preserved, for the history of a nation cannot be written without due regard to its artistic attainments: in many cases the art of a nation is the only thing that has come down to us.” August is Art Appreciation month and however cultural antiquities are defined—as art and or architecture—drawing, printmaking, painting, sculpture—monuments and or buildings—destruction is often associated with belligerent behavior.  American history offers several examples of cultural destruction, including the British burning of Washington in 1814. Whether the loss is associated with the War of 1812, World Wars I&II, China’s Cultural Revolution, ISIS, or the January 6, 2021, assault on the U.S. Capitol the resulting devastation is undeniable. “Damage to the interior of the U.S. Capitol building was largely limited to shattered glass and broken furniture; the U.S. Capitol Rotunda doors; blue paint tracked through the hallways and graffiti,” The New York Times reported.  “Statues including Virginia’s Thomas Jefferson, murals, and historic benches were damaged, as were several paintings.  Chemical residue was found on two presidents portraits.” The events of January 6, 2021, were “difficult for the American people and extremely hard for all of us on campus to witness,” Architect of the Capitol J. Brett Blanton then said.  Fortunately, “the eight monumental paintings in the U.S. Capitol Rotunda, including The Baptism of Pocahontas, were assessed by a professional conservator following the assault and no significant damage was found.” Alexandria-born artist John Gadsby Chapman’s 12’ by 18’ oil on canvas—The Baptism of Pocahontas—was installed in the U.S. Capitol Rotunda on November 30, 1840, and remains on…

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